Bronca da Björk

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Desta vez, ela não bateu em nenhum fotógrafo, mas alguma coisa no sol que mal se põe na Islândia no momento fez a Björk sair do sério com a imprensa de música. Até o site Pitchfork, citado por ela mesma como sério, não se livrou da paulada. Basicamente, ela reclama em seu site oficial de gente que leva os créditos por seu trabalho. Depois que um jornal islandês creditou Valgeir Sigursson como produtor de Vespertine, a apimentada islandesa resolveu descascar a imprensa de música. Quem sabe como são feitas as salsichas vê logo que ela tem certa razão. Mas elevar esse fato a uma conspiração contra as mulheres que produzem música eletrônica é um pouco demais. Entre as quatro hipóteses que ela levanta sobre o erro de crédito, vem essa pérola:

“Pode ser que seja um certo grau de sexismo. M.I.A. teve de lidar com o respeitável site pitchfork.com quando eles assumiram que Diplo tinha produzido todo o seu disco Kala sem ler nenhum crédito, deveria ser, não podia ter sido a M.I.A ela mesma. Parece que ainda hoje, depois de todos esses anos, as pessoas não imaginam que uma mulher possa escrever, arranjar e produzir música eletrônica. Tive essa experiência muitas e muitas vezes, quando o que eu faço no computador é creditado a qualquer homem que esteja a 10 metros de raio durante o trabalho. As pessoas parecem aceitar que as mulheres conseguem cantar e tocar quaisquer instrumentos que elas sejam vistas tocando, mas elas não podem programar, arranjar, produzir, editar ou escrever música eletrônica.”

  

Veja a íntgra da nota da Björk em inglês:

i saw in the last issue of iceland’s newspaper in english : “grapevine” , that valgeir sigurðsson was credited for having written all the instrumentals for my album vespertine . could i please offer a correction :

i have noticed last 7 years that mr. sigurðsson has often been credited for either writing or producing that album . i´d like to say that he didn´t write it or produce . he was a computer programmer for a third of it and a recording engineer for a third . The other two thirds were done by other engineers and programmers .

here is the creditlist to show you the correct crediting of vespertine .
i don´t understand where that misunderstanding has come from

could be one of four options :

1 :the pop critics of this world have not totally yet worked out the difference between engineering , programming , writing and producing electronic music . visually this appears very similar . a man/woman sitting in front of a computer . not as different as for example a drummer , a brass arranger and an engineer . but these are 3 completely different jobs which journalists must start to see the difference

2: it could be that this is some degree of sexism . m.i.a. had to deal with this with the respected website pitchfork.com where they assumed that diplo had produced all of her kala album without reading any credit list or nothing  , it just had to be , it couldn´t have been m.i.a. herself ! it feel like still today after all these years people cannot imagine that woman can write , arrange or produce electronic music . i have had this experience many many times that the work i do on the computer gets credited to whatever male was in 10 meter radius during the job . people seem to accept that women can sing and play whatever instrument they are seen playing .but they cannot program , arrange , produce , edit or write electronic music .

3 : i´ll admit that one thing could confuse things : people have to use their ears and actually read the creditlist to get this information . all the music i have made : like for example string arrangements , synthbasslines or programming of electronic patterns , i never play myself live because i want to give 100% of myself into the singing i either ask the computers to play it or i get other musicians to play it . this could confuse things .

4: one thing that could have kept this misunderstanding alive is that neither me nor valgeir sigurðsson have bothered to correct it

but i am doing it now

i hope this correction will be a positive input into more discussion about this

warmth
björk.

p.s. just read that pitchfork.com credited nico muhly for the choir arrangement of “hidden place” from vespertine . also that he has done string arrangements for me . this is not true . journalists : please read the creditlist before you write your articles